{"id":4114,"date":"2024-08-25T13:57:12","date_gmt":"2024-08-25T13:57:12","guid":{"rendered":"https:\/\/www.catia3690.com\/?page_id=4114"},"modified":"2026-08-19T08:36:53","modified_gmt":"2026-08-19T08:36:53","slug":"peripheral-places","status":"publish","type":"page","link":"https:\/\/www.catia3690.com\/en_gb\/peripheral-places\/","title":{"rendered":"Pheripheral Places"},"content":{"rendered":"\t\t
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Short Stories<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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I love observing the flow of life in peripheral, sometimes anonymous places, outside large urban centres, places of passage or discrete existences. And I photograph, conscious  that I am freezing instants of the present as they are already turning into the past. <\/span><\/p>\n

Looking back at photographs, I often wonder what became of those people with whom I briefly coexisted in a certain place and a given moment in time. People who only left a trace of light through the lens of my  camera, an impression in my memory. Who were they, where were they going? Questions that evoke stories.<\/span><\/p>\n

This is how I began to conceive a photographic series of Italian peripheries composed of \u2018short stories\u2019 – stories that, as in literature, are more \u2018open-ended\u2019 than longer, more articulate narratives. Tales as short as the chance encounters that underpin them, each consisting of three photographs, with human presences often barely hinted at, and united by the fact that the narrator in each is the \u2018place\u2019 in which they take place: places that speak of the passing of time and the ephemerality of existence reflected in the imprints it leaves on objects and landscapes. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The King of Diamonds<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Coca Cola<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The Fiat<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The bridge<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The chair<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The Self<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t
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Series published in:<\/strong><\/p>\n

– <\/a>The Pictorial Interview – The Pictorial Lis<\/i><\/a>t<\/em>    (Italian)<\/a><\/p>\n

– L’Oeil de la Photographie<\/em><\/a><\/p>\n

– Progressive Festival Magazine<\/em><\/a> (Progressive Street)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Exhibitions:<\/strong><\/p>

– “Fotografie in Dialogo”, Collettiva, Galleria Agarte-Fucina delle Arti (Frascati, 5-20 September) – <\/em><\/a>Exhibition Catalogue<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Short Stories I love observing the flow of life in peripheral, sometimes anonymous places, outside large urban centres, places of passage or discrete existences. And I photograph, conscious  that I am freezing instants of the present as they are already turning into the past. Looking … Continue readingPheripheral Places<\/span><\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-4114","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.catia3690.com\/en_gb\/wp-json\/wp\/v2\/pages\/4114","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.catia3690.com\/en_gb\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.catia3690.com\/en_gb\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.catia3690.com\/en_gb\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.catia3690.com\/en_gb\/wp-json\/wp\/v2\/comments?post=4114"}],"version-history":[{"count":240,"href":"https:\/\/www.catia3690.com\/en_gb\/wp-json\/wp\/v2\/pages\/4114\/revisions"}],"predecessor-version":[{"id":7508,"href":"https:\/\/www.catia3690.com\/en_gb\/wp-json\/wp\/v2\/pages\/4114\/revisions\/7508"}],"wp:attachment":[{"href":"https:\/\/www.catia3690.com\/en_gb\/wp-json\/wp\/v2\/media?parent=4114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}